Black-and-grey pencil sketch of a floral bouquet forms the centerpiece of this study, offered as a tattoo design concept. The rendering relies on fine line technique to delineate petals, leaves, and stems with precise, clean outlines and subtle shading that suggests volume without heavy ink. The central cluster reads as a bouquet of blossoms—peonies or roses—with delicate detail and a natural, slightly asymmetrical arrangement that suits placements on the wrist, forearm, shoulder, or ribs. The drawing emphasizes contrast through light-to-dark gradations achieved with cross-hatching and feathered shading, allowing skin to read as a textured canvas once inked. The surrounding space remains intentionally open to accommodate adaptation into either a smaller tattoo or a larger piece built from multiple modules, while maintaining legibility and longevity of the impression. This study also includes visible studio elements—a pencil and eraser—to ground the image in the tattoo process and underline its status as a design concept. Symbolically, florals convey growth, renewal, and beauty; a rose or lotus motif can be integrated to deepen meaning, while the black-and-grey palette supports a timeless, versatile look for flower tattoos, small tattoos, or more expansive body art in Japanese style or realistic tattoo aesthetics. The composition demonstrates how fine line tattoo techniques capture delicate petals, crisp contours, and soft shading to achieve lifelike texture without overpowering the skin. As a customizable blueprint, it invites collaboration with an artist to tailor line weight, spacing, and composition to individual anatomy, skin tone, and desired symbolism, whether for a minimal floral piece or a more elaborate bouquet that pairs with infinity or tribal elements within a cohesive tattoo design strategy.